Murder mystery sudoku — the daily cases for 6 October 2026
Every detective in the world got these same crime scenes on 2026-10-06 — each difficulty published twice, once untimed and once as time attack. Each case is procedurally generated and then proved to have exactly one logical solution before it is published, including the cases where somebody is lying. You place every suspect back on the map using only their testimony: exactly one person per row, never two in a column. Whoever is left alone with the victim did it.
Beginner — The Art School
A 5×5 grid across 4 rooms: Supply Closet, Gallery, Locker Room, Life-Drawing Room. Seven statements, six squares nobody could stand on, and enough testimony that the surplus is what pins the last two down.
Cracked by 11 detectives so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. D — desk · E — easel · F — floor lamp · M — mirror (square stays free) · W — wooden chair (square stays free)
The testimony
What each person said, and how much of the board it rules out.
Ximena was in the gallery. leaves 6 of 22 squaresShow it on the boardThe squares this one statement leaves Ximena: 6 of 22.
Ximena was in the bottom row. leaves 2 of 22 squaresShow it on the boardThe squares this one statement leaves Ximena: 2 of 22.
Ivan was in column 4. leaves 5 of 22 squaresShow it on the boardThe squares this one statement leaves Ivan: 5 of 22.
Ivan was in row 4. leaves 1 of 22 squaresShow it on the boardThe squares this one statement leaves Ivan: 1 of 22.
Walter was in row 2. leaves 5 of 22 squaresShow it on the boardThe squares this one statement leaves Walter: 5 of 22.
Zaida was in the locker room. leaves 5 of 22 squaresShow it on the boardThe squares this one statement leaves Zaida: 5 of 22.
Zaida was in the leftmost column. leaves 2 of 22 squares
Show the squares Ximena had leftThe squares still open to Ximena once their own statements are taken into account — 2 of 22.
What the testimony settles on its own
Nobody shares a row or a column, so each placement narrows everyone else. Before a single guess:
Ximena can only be in Gallery (row 5, column 5) — down from 2 possible squares.
Walter can only be in Life-Drawing Room (row 2, column 3) — down from 5 possible squares.
Nora can only be in Locker Room (row 3, column 2) — down from 22 possible squares.
Zaida can only be in Locker Room (row 1, column 1) — down from 2 possible squares.
The answer
That leaves one arrangement, and one person who could have done it: Zaida, in Locker Room (row 1, column 1).
Show the solved boardThe only arrangement the testimony allows. Zaida is ringed in red.
Beginner · time attack — The Art School
A 5×5 grid across 3 rooms: Gallery, Supply Closet, Atelier. Seven statements, seven squares nobody could stand on, and enough testimony that the surplus is what pins the last two down.
Cracked by 3 detectives so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. BM — boombox · BO — bonsai · F — floor lamp · PA — painting (square stays free) · PO — potted plant · W — wooden chair (square stays free)
The testimony
What each person said, and how much of the board it rules out.
Sofia was in the atelier. leaves 7 of 21 squaresShow it on the boardThe squares this one statement leaves Sofia: 7 of 21.
Julia was in the rightmost column. leaves 3 of 21 squaresShow it on the boardThe squares this one statement leaves Julia: 3 of 21.
Julia was in the atelier. leaves 2 of 21 squaresShow it on the boardThe squares this one statement leaves Julia: 2 of 21.
Ofelia was in the leftmost column. leaves 4 of 21 squaresShow it on the boardThe squares this one statement leaves Ofelia: 4 of 21.
Ofelia was in row 3. leaves 1 of 21 squaresShow it on the boardThe squares this one statement leaves Ofelia: 1 of 21.
Alma was in the top row. leaves 5 of 21 squaresShow it on the boardThe squares this one statement leaves Alma: 5 of 21.
Alma was in column 4. leaves 1 of 21 squares
Show the squares Julia had leftThe squares still open to Julia once their own statements are taken into account — 2 of 21.
What the testimony settles on its own
Nobody shares a row or a column, so each placement narrows everyone else. Before a single guess:
Sofia can only be in Atelier (row 5, column 3) — down from 7 possible squares.
Elena can only be in Supply Closet (row 2, column 2) — down from 21 possible squares.
Julia can only be in Atelier (row 4, column 5) — down from 2 possible squares.
The answer
That leaves one arrangement, and one person who could have done it: Ofelia, in Supply Closet (row 3, column 1).
Show the solved boardThe only arrangement the testimony allows. Ofelia is ringed in red.
Easy — The Art School
A 6×6 grid across 5 rooms: Atelier, Locker Room, Sculpture Hall, Courtyard, Supply Closet. Ten statements, ten squares nobody could stand on, and enough testimony that the surplus is what pins the last two down.
Cracked by 8 detectives so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. BK — bookshelf · BO — bonsai · C — crate · D — desk · E — easel · F — floor lamp · M — mirror (square stays free) · S — statue · W — wooden chair (square stays free)
The testimony
What each person said, and how much of the board it rules out.
Nestor was in the locker room. leaves 4 of 28 squaresShow it on the boardThe squares this one statement leaves Nestor: 4 of 28.
Nestor was in row 5. leaves 2 of 28 squaresShow it on the boardThe squares this one statement leaves Nestor: 2 of 28.
Yago was in column 4. leaves 4 of 28 squaresShow it on the boardThe squares this one statement leaves Yago: 4 of 28.
Yago was in the top row. leaves 1 of 28 squaresShow it on the boardThe squares this one statement leaves Yago: 1 of 28.
Marco was beside the statue. leaves 4 of 28 squaresShow it on the boardThe squares this one statement leaves Marco: 4 of 28.
Marco was in row 3. leaves 2 of 28 squaresShow it on the boardThe squares this one statement leaves Marco: 2 of 28.
Luna was in row 4. leaves 5 of 28 squares
Luna was beside the bonsai. leaves 1 of 28 squares
Clara was in column 2. leaves 5 of 28 squares
Clara was in the sculpture hall. leaves 3 of 28 squares
Show the squares Nestor had leftThe squares still open to Nestor once their own statements are taken into account — 2 of 28.
What the testimony settles on its own
Nobody shares a row or a column, so each placement narrows everyone else. Before a single guess:
Frida can only be in Courtyard (row 6, column 1) — down from 28 possible squares.
Nestor can only be in Locker Room (row 5, column 5) — down from 2 possible squares.
Marco can only be in Atelier (row 3, column 6) — down from 2 possible squares.
Clara can only be in Sculpture Hall (row 2, column 2) — down from 3 possible squares.
The answer
That leaves one arrangement, and one person who could have done it: Luna, in Courtyard (row 4, column 3).
Show the solved boardThe only arrangement the testimony allows. Luna is ringed in red.
Easy · time attack — The Art School
A 6×6 grid across 4 rooms: Locker Room, Courtyard, Supply Closet, Sculpture Hall. Six statements, nine squares nobody could stand on, and no assumption anywhere: elimination alone closes it.
Cracked by 2 detectives so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. BK — bookshelf · BM — boombox · BO — bonsai · C — crate · D — desk · PA — painting (square stays free) · PO — potted plant · S — statue · W — wooden chair (square stays free)
The testimony
What each person said, and how much of the board it rules out.
Dorian was beside the potted plant. leaves 3 of 29 squaresShow it on the boardThe squares this one statement leaves Dorian: 3 of 29.
Nico was in the locker room. leaves 9 of 29 squaresShow it on the boardThe squares this one statement leaves Nico: 9 of 29.
Cesar was beside the bonsai. leaves 3 of 29 squaresShow it on the boardThe squares this one statement leaves Cesar: 3 of 29.
Zaida was beside the wooden chair. leaves 3 of 29 squaresShow it on the boardThe squares this one statement leaves Zaida: 3 of 29.
Gilda was beside the statue. leaves 3 of 29 squaresShow it on the boardThe squares this one statement leaves Gilda: 3 of 29.
Gilda was in row 2. leaves 1 of 29 squaresShow it on the boardThe squares this one statement leaves Gilda: 1 of 29.
Show the squares Dorian had leftThe squares still open to Dorian once their own statements are taken into account — 3 of 29.
What the testimony settles on its own
Nobody shares a row or a column, so each placement narrows everyone else. Before a single guess:
Dorian can only be in Locker Room (row 5, column 1) — down from 3 possible squares.
Nico can only be in Locker Room (row 1, column 4) — down from 9 possible squares.
Cesar can only be in Supply Closet (row 3, column 5) — down from 3 possible squares.
Ulises can only be in Supply Closet (row 4, column 6) — down from 29 possible squares.
Zaida can only be in Sculpture Hall (row 6, column 3) — down from 3 possible squares.
The answer
That leaves one arrangement, and one person who could have done it: Cesar, in Supply Closet (row 3, column 5).
Show the solved boardThe only arrangement the testimony allows. Cesar is ringed in red.
Medium · time attack — The Art School
An 8×7 grid across 6 rooms: Atelier, Locker Room, Supply Closet, Gallery, Kiln Room, Sculpture Hall. Nine statements, fourteen squares nobody could stand on, almost as many rooms as suspects, so a room claim nearly names a square, and no assumption anywhere: elimination alone closes it.
Cracked by 2 detectives so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. BK — bookshelf · BM — boombox · BO — bonsai · C — crate · E — easel · F — floor lamp · G — garbage can · PA — painting (square stays free) · PO — potted plant · W — wooden chair (square stays free)
The testimony
What each person said, and how much of the board it rules out.
Sol was beside the crate. leaves 1 of 45 squaresShow it on the boardThe squares this one statement leaves Sol: 1 of 45.
Kurt was in the atelier or in the supply closet. leaves 15 of 45 squaresShow it on the boardThe squares this one statement leaves Kurt: 15 of 45.
Flora was beside the potted plant. leaves 3 of 45 squaresShow it on the boardThe squares this one statement leaves Flora: 3 of 45.
Ada was beside the boombox. leaves 3 of 45 squaresShow it on the boardThe squares this one statement leaves Ada: 3 of 45.
Ada was in the northern half of the scene. leaves 1 of 45 squaresShow it on the boardThe squares this one statement leaves Ada: 1 of 45.
Marco was in the same column as the wooden chair. leaves 7 of 45 squaresShow it on the boardThe squares this one statement leaves Marco: 7 of 45.
Marco was in the same row as the boombox. leaves 1 of 45 squares
Bianca was touching the outer wall. leaves 20 of 45 squares
Bianca was somewhere west of the Chef.
Show the squares Flora had leftThe squares still open to Flora once their own statements are taken into account — 3 of 45.
What the testimony settles on its own
Nobody shares a row or a column, so each placement narrows everyone else. Before a single guess:
Kurt can only be in Supply Closet (row 5, column 7) — down from 15 possible squares.
Flora can only be in Kiln Room (row 7, column 3) — down from 3 possible squares.
Clara can only be in Locker Room (row 2, column 6) — down from 45 possible squares.
Bianca can only be in Atelier (row 1, column 2) — down from 20 possible squares.
The answer
That leaves one arrangement, and one person who could have done it: Marco, in Locker Room (row 4, column 5).
Show the solved boardThe only arrangement the testimony allows. Marco is ringed in red.
Medium — The Art School
A 7×7 grid across 6 rooms: Atelier, Courtyard, Supply Closet, Kiln Room, Locker Room, Gallery. Eleven statements, fifteen squares nobody could stand on, almost as many rooms as suspects, so a room claim nearly names a square, and enough testimony that the surplus is what pins the last two down.
Cracked by 8 detectives so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. BM — boombox · BO — bonsai · D — desk · E — easel · F — floor lamp · G — garbage can · M — mirror (square stays free) · PA — painting (square stays free) · PO — potted plant · S — statue · W — wooden chair (square stays free)
The testimony
What each person said, and how much of the board it rules out.
Leo was in the same column as the easel. leaves 5 of 38 squaresShow it on the boardThe squares this one statement leaves Leo: 5 of 38.
Leo was in the same room as the Butler.
Wilfred was in the same row as the statue. leaves 4 of 38 squaresShow it on the boardThe squares this one statement leaves Wilfred: 4 of 38.
Margot was in the same row as a painting. leaves 11 of 38 squaresShow it on the boardThe squares this one statement leaves Margot: 11 of 38.
Margot was in the same column as the potted plant. leaves 1 of 38 squaresShow it on the boardThe squares this one statement leaves Margot: 1 of 38.
Hugo was in the same room as Paloma.
Paloma was in the same column as the mirror. leaves 6 of 38 squaresShow it on the boardThe squares this one statement leaves Paloma: 6 of 38.
Paloma was in the same row as the potted plant. leaves 1 of 38 squaresShow it on the boardThe squares this one statement leaves Paloma: 1 of 38.
Julian was somewhere east of Wilfred.
Julian was in the atelier or in the supply closet. leaves 8 of 38 squares
Nobody was in the gallery.
Show the squares Wilfred had leftThe squares still open to Wilfred once their own statements are taken into account — 4 of 38.
What the testimony settles on its own
Nobody shares a row or a column, so each placement narrows everyone else. Before a single guess:
Leo can only be in Locker Room (row 3, column 2) — down from 5 possible squares.
Vera can only be in Courtyard (row 2, column 7) — down from 38 possible squares.
Wilfred can only be in Locker Room (row 5, column 1) — down from 4 possible squares.
Hugo can only be in Kiln Room (row 6, column 5) — down from 38 possible squares.
Julian can only be in Atelier (row 1, column 3) — down from 8 possible squares.
The answer
That leaves one arrangement, and one person who could have done it: Margot, in Courtyard (row 4, column 6).
Show the solved boardThe only arrangement the testimony allows. Margot is ringed in red.
Hard — The Art School
An 8×8 grid across 6 rooms: Gallery, Sculpture Hall, Supply Closet, Kiln Room, Print Room, Life-Drawing Room. Twelve statements, fifteen squares nobody could stand on, and one round of assume-and-test after elimination ran dry.
Cracked by 7 detectives so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. BM — boombox · BO — bonsai · C — crate · D — desk · E — easel · G — garbage can · M — mirror (square stays free) · PA — painting (square stays free) · PO — potted plant · S — statue · W — wooden chair (square stays free)
The testimony
What each person said, and how much of the board it rules out.
Victor was exactly 2 rows north of Yago.
Victor was in the same room as the Chauffeur.
Yago was exactly 3 rows south of Margot.
Nestor was in the same column as the statue. leaves 6 of 53 squaresShow it on the boardThe squares this one statement leaves Nestor: 6 of 53.
Bianca was in the same row as the desk. leaves 5 of 53 squaresShow it on the boardThe squares this one statement leaves Bianca: 5 of 53.
Bianca was in the same column as the mirror. leaves 1 of 53 squaresShow it on the boardThe squares this one statement leaves Bianca: 1 of 53.
Frida was all alone in a room.
Frida was somewhere west of Yago.
Frida was in the same row as the garbage can. leaves 6 of 53 squaresShow it on the boardThe squares this one statement leaves Frida: 6 of 53.
Elias was somewhere west of Margot.
Elias was all alone in a room.
Margot was in the same column as the garbage can. leaves 7 of 53 squaresShow it on the boardThe squares this one statement leaves Margot: 7 of 53.
Show the squares Nestor had leftThe squares still open to Nestor once their own statements are taken into account — 6 of 53.
What the testimony settles on its own
Nobody shares a row or a column, so each placement narrows everyone else. Before a single guess:
Nestor can only be in Print Room (row 1, column 8) — down from 6 possible squares.
Margot can only be in Supply Closet (row 2, column 3) — down from 7 possible squares.
The squares that had to be tested
The rest does not fall out on its own. It takes 21 eliminations of the same move: put someone on a square, follow the consequences, and watch the board contradict itself.
Had Victor stood in Print Room (row 3, column 7), Frida would have had nowhere left to stand. So not there.
Put Yago in Sculpture Hall (row 5, column 2) and the testimony cannot be satisfied at all. So not there.
Had Frida stood in Kiln Room (row 8, column 6), Yago would have had nowhere left to stand. So not there.
Put Elias in Gallery (row 7, column 2) and the testimony cannot be satisfied at all. So not there.
Show what goes wrongSuppose Victor stood on the dashed square. Frida then has nowhere left to stand: every square still open to them is shaded out.
Another 17 squares fell the same way.
Victor can only be in Print Room (row 3, column 5) — down from 2 possible squares.
The answer
That leaves one arrangement, and one person who could have done it: Yago, in Kiln Room (row 5, column 7).
Show the solved boardThe only arrangement the testimony allows. Yago is ringed in red.
Hard · time attack — The Art School
A 9×8 grid across 7 rooms: Kiln Room, Sculpture Hall, Courtyard, Print Room, Locker Room, Gallery, Atelier. Eleven statements, seventeen squares nobody could stand on, almost as many rooms as suspects, so a room claim nearly names a square, and one round of assume-and-test after elimination ran dry.
Cracked by one detective so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. BM — boombox · BO — bonsai · C — crate · D — desk · E — easel · F — floor lamp · G — garbage can · M — mirror (square stays free) · PA — painting (square stays free) · PO — potted plant · S — statue · W — wooden chair (square stays free)
The testimony
What each person said, and how much of the board it rules out.
Gordon was in the same column as the boombox. leaves 6 of 59 squaresShow it on the boardThe squares this one statement leaves Gordon: 6 of 59.
Marco was exactly 1 column east of Luna.
Flora was in the same row as the desk. leaves 6 of 59 squaresShow it on the boardThe squares this one statement leaves Flora: 6 of 59.
Flora was exactly 2 columns west of the Doctor.
Zeno was in the same row as the statue. leaves 4 of 59 squaresShow it on the boardThe squares this one statement leaves Zeno: 4 of 59.
Dora was exactly 1 row south of the Curator.
Irene was in the same room as the Heiress.
Luna was somewhere north of the Magician.
Luna was exactly 2 columns east of the Chauffeur.
Luna was somewhere south of the Professor.
Nobody was in the atelier.
Show the squares Zeno had leftThe squares still open to Zeno once their own statements are taken into account — 4 of 59.
The squares that had to be tested
The rest does not fall out on its own. It takes 105 eliminations of the same move: put someone on a square, follow the consequences, and watch the board contradict itself.
Had Ulises stood in Courtyard (row 1, column 5), Irene would have had nowhere left to stand. So not there.
Put Gordon in Kiln Room (row 7, column 7) and the testimony cannot be satisfied at all. So not there.
Put Marco in Courtyard (row 1, column 4) and the testimony cannot be satisfied at all. So not there.
Put Flora in Print Room (row 4, column 3) and the testimony cannot be satisfied at all. So not there.
Show what goes wrongSuppose Ulises stood on the dashed square. Irene then has nowhere left to stand: every square still open to them is shaded out.
Another 101 squares fell the same way.
Ulises can only be in Locker Room (row 1, column 1) — down from 14 possible squares.
The answer
That leaves one arrangement, and one person who could have done it: Zeno, in Locker Room (row 2, column 2).
Show the solved boardThe only arrangement the testimony allows. Zeno is ringed in red.
Expert — The Art School
A 9×9 grid across 7 rooms: Atelier, Supply Closet, Sculpture Hall, Courtyard, Gallery, Locker Room, Print Room. Twenty statements, twenty squares nobody could stand on, and two rounds of assume-and-test after elimination ran dry — and one of the nine was lying throughout.
The twist: one suspect is an accomplice — every statement they make is false; the accusation also demands the motive, not just the name.
Cracked by 4 detectives so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. BK — bookshelf · BM — boombox · BO — bonsai · C — crate · D — desk · E — easel · F — floor lamp · G — garbage can · M — mirror (square stays free) · P — potted plant · S — statue · W — wooden chair (square stays free)
The testimony
What each person said. One of these 9 is the killer's accomplice and every word they said is false — but not which one, not yet.
Dante was somewhere west of the Butler.
Dante was somewhere south of the Professor.
Nadia was somewhere east of the Butler.
Nadia was somewhere west of the Magician.
Nadia was in the same column as the wooden chair. if true, leaves 8 of 64Show it on the boardThe squares this one statement leaves Nadia: 8 of 64.
Nadia was somewhere east of the Chauffeur.
Ximena was in the same column as a mirror. if true, leaves 15 of 64Show it on the boardThe squares this one statement leaves Ximena: 15 of 64.
Ximena was somewhere south of the Professor.
Ximena was somewhere north of Nadia.
Queralt was somewhere east of the Chauffeur.
Percy was in the same row as the boombox. if true, leaves 7 of 64Show it on the boardThe squares this one statement leaves Percy: 7 of 64.
Lidia was in the same row as a potted plant. if true, leaves 13 of 64Show it on the boardThe squares this one statement leaves Lidia: 13 of 64.
Lidia was in the same column as a floor lamp. if true, leaves 2 of 64Show it on the boardThe squares this one statement leaves Lidia: 2 of 64.
Cesar was in the same column as a mirror. if true, leaves 15 of 64Show it on the boardThe squares this one statement leaves Cesar: 15 of 64.
Cesar was somewhere west of Lidia.
Oscar was in the same row as a potted plant. if true, leaves 13 of 64
Oscar was somewhere south of Dante.
Exactly 2 people were in the print room.
Exactly 2 people were in the sculpture hall.
Exactly 2 people were in the gallery.
Show the squares Lidia had leftThe squares still open to Lidia once their own statements are taken into account — 2 of 64.
Unmasking the liar
One of these 9 people is the killer's accomplice, and every word they said is false — but you are not told which. Take each in turn: read their statements backwards and ask whether the rest of the testimony can still be satisfied.
If Nadia were the one lying, no arrangement satisfies the rest. Not them.
If Ximena were the one lying, no arrangement satisfies the rest. Not them.
If Queralt were the one lying, no arrangement satisfies the rest. Not them.
If Percy were the one lying, no arrangement satisfies the rest. Not them.
Another 4 candidates collapse the same way.
Only Dante survives the test. That is the accomplice, and everything they said is now read backwards.
Read backwards, Dante actually told you:
Dante was NOT west of the Butler.
Dante was NOT south of the Professor.
What the testimony settles on its own
Nobody shares a row or a column, so each placement narrows everyone else. Before a single guess:
Lidia can only be in Courtyard (row 7, column 7) — down from 2 possible squares.
The squares that had to be tested
The rest does not fall out on its own. It takes 93 eliminations of the same move: put someone on a square, follow the consequences, and watch the board contradict itself.
Put Dante in Atelier (row 1, column 2) and the testimony cannot be satisfied at all. So not there.
Put Nadia in Sculpture Hall (row 5, column 4) and the testimony cannot be satisfied at all. So not there.
Had Ximena stood in Print Room (row 3, column 6), Cesar would have had nowhere left to stand. So not there.
Put Queralt in Atelier (row 2, column 2) and the testimony cannot be satisfied at all. So not there.
Show what goes wrongSuppose Dante stood on the dashed square. Dante then has nowhere left to stand: every square still open to them is shaded out.
Another 89 squares fell the same way.
Dante can only be in Print Room (row 1, column 8) — down from 7 possible squares.
The motive
This case demands the why as well as the who: naming the killer without proving the motive counts for nothing. 8 motives are in play, and these statements narrow them.
Lidia's motive would have been blackmail.
Nadia's motive would have been obsession.
Cesar's motive would have been buried secrets.
Queralt's motive would have been ambition.
Percy's motive would have been jealousy.
Whoever did it was not driven by debts.
Whoever did it was not driven by revenge.
The answer
That leaves one arrangement, and one person who could have done it: Ximena, in Sculpture Hall (row 5, column 2). Dante lied throughout and was never charged.
The only motive left standing for Ximena is inheritance.
Show the solved boardThe only arrangement the testimony allows. Ximena is ringed in red.
Expert · time attack — The Art School
A 10×9 grid across 8 rooms: Supply Closet, Sculpture Hall, Kiln Room, Atelier, Gallery, Life-Drawing Room, Locker Room, Courtyard. Fifteen statements, twenty squares nobody could stand on, almost as many rooms as suspects, so a room claim nearly names a square, and two rounds of assume-and-test after elimination ran dry.
The twist: the accusation also demands the motive, not just the name.
Cracked by one detective so far.
How this case was cracked — the full solution to this board, step by step
Every step below is the solver’s own — the same one that proved this board has exactly one answer. The counts are real: you can check them against the grid.
Lettered squares are objects. Most take the square out of play — which is why the counts above are of free squares, not of all of them — but the ones marked below do not: their square is still in play. BK — bookshelf · BM — boombox · BO — bonsai · C — crate · D — desk · E — easel · F — floor lamp · G — garbage can · M — mirror (square stays free) · P — potted plant · S — statue · W — wooden chair (square stays free)
The testimony
What each person said, and how much of the board it rules out.
Yolanda was exactly 2 columns east of Nestor.
Nestor was in row 5. leaves 9 of 73 squaresShow it on the boardThe squares this one statement leaves Nestor: 9 of 73.
Nestor was in the same column as the crate. leaves 1 of 73 squaresShow it on the boardThe squares this one statement leaves Nestor: 1 of 73.
Selma was in the same row as the bonsai. leaves 9 of 73 squaresShow it on the boardThe squares this one statement leaves Selma: 9 of 73.
Dorian was exactly 5 rows south of the Heiress.
Fabio was exactly 3 rows north of Yolanda.
Fabio was somewhere west of the Curator.
Ignacio was in the same row as the boombox. leaves 8 of 73 squaresShow it on the boardThe squares this one statement leaves Ignacio: 8 of 73.
Ignacio was in the same column as a mirror. leaves 2 of 73 squaresShow it on the boardThe squares this one statement leaves Ignacio: 2 of 73.
Jimena was all alone in a room.
Jimena was exactly 2 columns east of Fabio.
Bianca was all alone in a room.
Bianca was in the same column as a mirror. leaves 15 of 73 squaresShow it on the boardThe squares this one statement leaves Bianca: 15 of 73.
Exactly 4 people were in the atelier.
Exactly 2 people were in the locker room.
Show the squares Ignacio had leftThe squares still open to Ignacio once their own statements are taken into account — 2 of 73.
What the testimony settles on its own
Nobody shares a row or a column, so each placement narrows everyone else. Before a single guess:
Yolanda can only be in Atelier (row 4, column 7) — down from 73 possible squares.
The squares that had to be tested
The rest does not fall out on its own. It takes 60 eliminations across 2 rounds of the same move: put someone on a square, follow the consequences, and watch the board contradict itself.
Had Selma stood in Supply Closet (row 3, column 1), Bianca would have had nowhere left to stand. So not there.
Had Enzo stood in Sculpture Hall (row 1, column 1), Fabio would have had nowhere left to stand. So not there.
Had Dorian stood in Atelier (row 9, column 9), Bianca would have had nowhere left to stand. So not there.
Had Fabio stood in Sculpture Hall (row 1, column 1), Bianca would have had nowhere left to stand. So not there.
Show what goes wrongSuppose Selma stood on the dashed square. Bianca then has nowhere left to stand: every square still open to them is shaded out.
Another 56 squares fell the same way.
Ignacio can only be in Locker Room (row 7, column 1) — down from 2 possible squares.
The motive
This case demands the why as well as the who: naming the killer without proving the motive counts for nothing. 8 motives are in play, and these statements narrow them.
Yolanda's motive would have been buried secrets.
Nestor's motive would have been debts.
Selma's motive would have been jealousy.
Jimena's motive would have been inheritance.
Bianca's motive would have been revenge.
Whoever did it was not driven by obsession.
Whoever did it was not driven by ambition.
The answer
That leaves one arrangement, and one person who could have done it: Ignacio, in Locker Room (row 7, column 1).
The only motive left standing for Ignacio is blackmail.
Show the solved boardThe only arrangement the testimony allows. Ignacio is ringed in red.
How to read a case above
The grid size is the size of the crime scene, so a 10×9 expert case is a far larger search than
a 5×5 beginner one — but the difficulty is really carried by the clues, not the square
count. A beginner case tells you almost directly where somebody stood. An expert case tells you
where somebody was not, three times, and expects you to do the rest — and on half of them
one of those statements is a lie told to protect the killer. If a case lists a motive, naming the
right person is not enough on its own; you have to prove why.
The Hollow Order — 4 of them saw through the testimony at The Art School. 3 was the bar; 4 leaves nothing to argue about.
The Art School served as the scene for all ten investigations on 6 October 2026. Across the standard boards, an anonymous investigator credited simply as a guest detective swept every top time. The day began gently enough on the 5x5 beginner grid with four rooms, completed by the guest in nine seconds out of eighteen plays and eleven solves. The complexity rose steadily through the 6x6 easy, 7x7 medium, and 8x8 hard boards, culminating in the 9x9 expert challenge. That final untimed assignment brought both a liar and a required motive into play across its seven rooms, where four of five inquiries concluded successfully, led by the guest detective in 3m 23s.
Against the clock, the five time attack cases offered their own set of variations across The Art School, ranging from a 5x5 beginner layout with three rooms up to a 10x9 expert challenge with eight rooms. A single investigator, chentian, claimed the record on every board. Chentian answered the beginner board in seven seconds, took the 6x6 easy in twenty-eight, and navigated the 8x7 medium in nineteen. The larger layouts proved more stubborn; only one of three investigators broke through the 9x8 hard assignment, with chentian finishing in 8m 18s. The solitary attempt at the 10x9 expert trial, which demanded an identified motive, saw chentian secure the day's final solve in 8m 37s.
Fastest detectives of the day
Beginner: a guest detective — 0m 09s · Easy: a guest detective — 0m 14s · Medium: a guest detective — 0m 32s · Hard: a guest detective — 2m 15s · Expert: a guest detective — 3m 23s · Beginner · time attack: chentian — 0m 07s · Easy · time attack: chentian — 0m 28s · Medium · time attack: chentian — 0m 19s · Hard · time attack: chentian — 8m 18s · Expert · time attack: chentian — 8m 37s
The solutions
The solved boards — spoilers for every case of 6 October 2026
Key: red ring = the murderer · amber dashes = the lying accomplice · ✕ = the victim · initials mark where each suspect was proved to stand.
Beginner — The Art School
Zaida (journalist) is in custody — the case was closed by 11 detectives.
Easy — The Art School
Luna (journalist) ended the day behind bars — convicted by 8 detectives.
Medium — The Art School
Margot (chef) was named and charged; 8 detectives closed this one.
Hard — The Art School
The cell door shut on Yago (magician), on the evidence of 7 detectives.
Expert — The Art School
4 detectives put Ximena (chef) away before the day was out. The motive — inheritance — was proved along with the name. Dante lied for them and was never charged.
Beginner · time attack — The Art School
Ofelia (diva) is in custody — the case was closed by 3 detectives.
Easy · time attack — The Art School
Cesar (gardener) ended the day behind bars — convicted by 2 detectives.
Medium · time attack — The Art School
Marco (butler) was named and charged; 2 detectives closed this one.
Hard · time attack — The Art School
The cell door shut on Zeno (chauffeur), on the evidence of one detective.
Expert · time attack — The Art School
one detective put Ignacio (butler) away before the day was out. The motive — blackmail — was proved along with the name.